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Videonale.scope #5 (2017)

This year’s VIDEONALE.scope honors the work of two artists from the USA who have far more in common than just their shared American heritage. In their films, Sharon Lockhart and Kevin Jerome Everson both develop portraits of our present-day world, combining documentary, fictional and theatrical elements in a highly original manner. 

 

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Videonale at FIKTIVA media arts festival in Dusseldorf (Oct 8, 2017)

Video program in the context of Fiktiva media arts festival (Oct 5-8, 2017)

 

As part of the official Fiktiva parcours through the old town of Dusseldorf Videonale will present a video program with earlier Videonale works at Filmmuseum / Black Box. Works by the following artists can be seen: von Henrik Lund Jørgensen, Ulu Braun, Antti Tanttu, Mahdi Fleifel, Jasmin Bigler & Nicole Weibel, Susanne Wiegner.

 

Date: Sunday, October 8th 2017 at 10pm

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CARAMBOLAGE – Radio-Performance, public workshop-presentation and artist talk

At „Dialograum der Kreuzung an Sankt Helena” Maia Urstad (city sound artist bonn 2017 / Bergen, Norway) and Dirk Specht (Cologne) present the results of their two-day workshop in a public radio performance.
In the following artist talk Maia Urstad will speak about her artist work with Carsten Seiffarth (curator and artistic director bonn hoeren) and Raoul Mörchen.

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CARAMBOLAGE - TRAINING AND NETWORKING FOR UP-AND-COMING FILM AND MEDIA ARTISTS

 

CARAMBOLAGE – TRAINING AND NETWORKING FOR UP-AND-COMING FILM AND MEDIA ARTISTS

 

Between September and December 2017, four festivals based in Nordrhein Westfalen - bonn hoeren/Beethovenstiftung für Kunst und Kultur der Bundesstadt Bonn; new talents – biennale cologne; Tanzrauschen Wuppertal; and Videonale Bonn – will be offering an extensive program of workshops for up-and-coming film and media artists on the theme of SOUND in time-based arts.

 

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Videonale.16 - Workshop How Do I Look? – New Perspectives on Using Point of View Shots

“How Do I Look?” will work with cameras to take a practical and exploratory approach to performing the point of view shot (1st person perspective) in cinema.
The title of the workshop originates from a conference organised in 1987 by Bad Object Choices. As in the original event, the question is intended to provoke a number of potential readings.

 

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